I rated it 5/10 and think I might be a little generous. Jennifer Lawrence plays a dead-eye, cunning spy after being forced into a brutal regime of psychological reconstruction following a ballet ‘accident’.
The ending was surprisingly good, albeit somewhat predictable. I’m unsure if there was meant to be any real suspense for it. The rest of the film is a mish-mash of old spy-thriller standards (there’s a mole, dodgy ‘Russian’ accents, gung-ho CIA agents) and some weird blend of 1970s-style soviet stuff and modern day pieces.
Thankfully there are no ‘ultrasonic’ glass-smashing signet rings or the like. But there did seem to be floppy discs holding US-government secrets. Maybe these are popular in spy-circles for the difficulty they might present an adversary in finding something to read them with?
Joel Edgerton isn’t amazing at the best of times but he clearly had some very thin material to work with here. His character is tissue-thin compared even to Lawrence’s.
The film is way too long. It is gratuitously peppered with nudity. And it all seemed a bit dated and too contrived.
A shame, as Jennifer Lawrence is a strong screen presence.
I suggest this is a late night streaming one that you won’t mind falling asleep in front of. Watch Nikita (either version) instead.