if you were expecting dad’s army meets some classic 60s crime movie then even you are in for a disappointment.
This trades on the film history of several of the actors to suggest some kind of noble-villain heritage.
In reality it is a tedious tale of a bunch of criminals whose greed and dishonesty destroys their own potential success.
There are some amusing moments. And some poignancy with these older guys trying to recapture some frisson of youth.
Overall though this is not serious enough to be thrilling nor funny enough to be comedic. It is long, generally dull, and there are better movies about robberies about.
Er, this is an odd one. Some neat action. Some amusing tropes. And yet overall it is really poor. Dodgy camera footage with shaky ‘ naked chef on crack’ type cuts, angles, and framing. Some very hackneyed dialogue. And characters who would struggle to find form in anything but dot-world. The premise ‘double agent? He’s a triple agent!’ Is risible and writ large from early on. There’s unconvincing pompous dialogue galore. All this matched to some of the worst mic/foley/sound recording since I played with a full size VHS camera make this a pretty poor show. A real shame as this could have been a pretty tight, tense, and action-packed piece along the lines of black hawk down.
nearly didn’t go to see this as I’d been told by a trusted source that it was ‘OK, but unoriginal’.
Sure, it’s a familiar trope for a certain type of children’s movie. ‘Big’ with Tom Hanks is the one I remember most. It goes put aside magical childhood to grow up, lose sight of what makes you happy on the hamster wheel of adulthood, and through traumatic events recapture what’s important.
But wow. This movie had me in tears most of the way through. Maybe it’s my time of life. Maybe circumstances. But I thought this was the strongest tale of this sort I have yet seen. And it is all done so gently. Macgregor’s RP accent is a bit weak and he seems to be holding back on something in his character. That does not diminish the power of his role combined with that of his family and especially the brilliantly animated friends in 100 acre wood. They are just right.
Almost modelled after films of a bygone era, this has a strong story arc, neatly ties up all components, love triumphs, and it is all done wonderfully.
a surprisingly entertaining resurrection of the predator. Reminded me of some of the films and TV of the 80s with its family, children, soldier, and scientist aspects. It’s a great blend of cheesy, humour, violence and gore.
Not a great intellectual effort, but well worth sitting back and enjoying the almost nonsensical events as they unfold.
one of the best new films I have seen in recent times.
It’s played with humour and passion. It has a serious message and serious content. It has polemic and argument. It is outrageously entertaining.
An ambitious guy becomes the Colorado springs police force’s first black police officer. And then becomes their first detective. When he responds to the KKK’s newspaper ad with a phone call he’s in. Working with his white Jewish partner they infiltrate the local chapter of ‘the organisation’ and uncover domestic terror plans. The KKK members are played brilliantly and portrayed, accurately, as racist hapless idiots with bad intent.
With its serious undertow and political messages this could have been disturbing and dull. Instead it is a consciousness-raising entertainment movie that deserves viewing.
it’s pretty obvious from the beginning that this is an arty film. The super-shonky hand held footage that makes up the first country scenes we see Van Gogh in make that clear.
However, this movie is surprisingly absorbing for all that arty pretension. We see a reasonably linear narrative from Paris to the south of France and so on to Arles and st remy. The cinematography seems to help give an insight into Van Gogh’s mental state. The drama is suitably real-life. Nothing overblown, just right. Willem Dafoe is compelling as Van Gogh.
While there are weird things throughout, Van Gogh’s death in this movie is perhaps the oddest. Saying nothing more about it.
This is a long, arty, yet fascinating movie. Worth watching.
Saw this at the Venice film festival. Packed performance. And deservedly so. We get into the story without much exposition. And what a story. The ethical dilemma of the prison workers, especially the educator. The shifting awareness of the 3 prisoners. And the disturbing replaying of Manson family life.
Each actor does a great job with their character. This is a dramatisation that does what a documentary could not: give us some of the inner life, experiences, and emotion of what it might have been like.
It’s a bit long at times but this gives the movie space to extend the drama and make the characters fuller than they could have been in a more edited movie.
Well worth seeing.
A surprisingly good western that could have been even better with some cuts here and there to keep its pace.
The sisters brothers are merciless killers, an odd couple, and have a strong fraternal relationship in their work for ‘the commodore’.
On the trail of a man who is being tracked by a detective working for the commodore the sisters brothers have a few mishaps. Killers, spiders, horse troubles are just a few.
When they find him things work out more differently than I could have predicted.
This movie kept a good sense of humour in its harshness and contrasting warmth and humanity. If westerns are the next big thing after superheroes I hope we get more like this.
Saw this at the Venice film festival.
It shares some common threads with many of Mike Leigh’s other films. Earnest working class folks. Grim conditions. Oppressive politics. And some moments of light relief. This one goes on and on and on though.
The opening scene is pretty brutal with a young soldier caught on a battlefield with cannon fire and cavalry.
Then to Manchester. The soldier’s home and the eventual scene of the massacre at St Peter’s Field. It’s a long time until the movie gets to that. Once it does, and we get to see the drawn out preparation and carnage things are wrapped up in a few moments.
There’s quite a bit of tedious didacticism with folks explaining corn laws, suffrage, and so forth to family around the hearth.
In most every scene it is like the characters are orating to each other rather than conversing. Especially the magistrates. They identify themselves as ‘moral superiors’ of the regular folk as they plot the crushing of perceived insurrection. About the only characters who avoid this orating and shouting at each other are the Home Secretary, prime minister, and prince regent. Though they’re mildly lampooned.
It’s an overly earnest film that could have been more effective with some dialogue, radical editing, and something a bit more than ‘we’ll be sure to report this in our newspapers’ to end the massacre with.