Weird, I saw Parasite at a Cineworld preview and thought I’d put a review up. Seems not. I’d rated it 8/10 on IMDB but not written anything.
Great movie. Go see it. Not sure it should’ve beaten Joker at the academy awards but that’s a different argument.
The characterisation and the boldness of the poor characters is excellent. The separation from ‘normal’ life of the wealthy characters is similarly well done and credible.
What made it real fun was the tension of ‘will they be found out’ and then the farcical components of…well that might be a spoiler.
Had it been a British movie I think folks might have ‘seen it before’. As it is, the novelty of Korea and the exoticism of the society brings a fresh perspective and makes this a bold, exciting, and very funny movie.
Hard not to like Margot Robbie as Harley Quinn. The story is a relatively mundane mashup of elements like heartbreak, revenge, theft, and the like. All combined with a difficult-at-times mix of surprisingly harsh violence, wackiness, and comedy.
It’s fast and entertaining but is perhaps a bit lighthearted and comic-like rather than comic book compared to other DC movies. Admittedly, most of those are poor at best so this is an achievement.
Some elements are great. The fairground showdown is a great mix of cartoon and grim violence and choreography.
Some elements are terrible. Ewan mcgregor as ‘black mask’ for example. There’s a good Begbie-like unpredictable note of viciousness. But only now and again. Most of the time it’s more Robbie Rotten. Victor Zsasz? More like ‘moody henchman’.
The rest of the Birds of Prey aren’t made enough of. The exposition from Harley is helpful, but we don’t get to gauge how reliable it is. some of the BoP action is a bit low-budget-TV which doesn’t suit the good cast and potential for outlandish mayhem that would be possible. Huntress and the bike-car chase could’ve been more engaging. There’s a really constrained feeling to all the scenes. This works in the club for example, but some of the street scenes reminded me of Batman (Michael Keaton): OK, but more impressionist than realist.
It’s an OK movie. Worth watching for some fun scenes and Margot Robbie as Harley.
If you liked suicide squad this is a step-up, but similarly pitched. Otherwise, you might give it a go but think generously.
Emma Thompson as the parrot-narrator is a nice touch. But the level of exposition for the background and the ongoing story is a bit much even for a children’s movie.
Accents. Oh dear. RDJ gives Dolittle an accent that might be Welsh but perhaps is more a ‘cross-Celtic transatlantic fusion’? Still, he keeps it within about 20% of it’s starting point throughout. Much of his dialog seemed a little disconnected from the picture. Not sure if this was syncing or post-production drop-in work. Irrespective he gave a nice portrayal of an eccentric recluse who wants to help despite his personal grief.
The baddies were suitably small-children-film-friendly. Fiendish and ridiculous. Michael sheen was a fun dick dastardly type. Jim broadbent was a bit OTT but fitted the film.
The animals. Mmm some great animation and the animal-speak / human-speak bits were done nicely. There was a bit too much anthropomorphism though. Animals moving in ways that weren’t quite right. Hey, it’s a children’s film so accuracy isn’t its main thing.
It had the same problems most children’s films have: beginning and middle too too long with a quick resolution at the end. And some of the audience was restless as some things dragged on.
OK and worth catching on TV/streaming with young children.
Like the pilot episode of a TV series that wasn’t commissioned.
The two leads (Blake Lively, Jude Law) do a fair job with a bag of cliches stitched together into what seems a slightly credible picture of day-to-day spy-asset management.
The signposting of later events and ‘twists’ could only have been more obvious if there’s been a fourth-wall-break at each point. ‘Expect a reprise of this kitchen-based fight where the protagonist applies the lesson learned’, ‘look, deadly snake toxin in a syringe’ and so on.
Like many current ‘intelligence service’ like films this one features a lot of locations. Seems getting a reduced carbon footprint doesn’t apply if you’re on a mission for cold revenge. It also makes for lazy elision of events in the transition.
Despite the cold-turkey, the Rocky-style training events (though no montage-a missed cliche) the protagonist does not emerge totally awesome. Each mission/contract goes awry in a different way. I liked this. But a dash of realism on top of the rest can’t save this movie from being generally weak. Shame, as it had elements of several respectable movies in it.
Ignore it and hope no one tries to resurrect the idea for a one-season streaming series where U17 was only the front man for a deeper conspiracy that affects every subsequent contract Stephanie takes on.