A surprisingly good western that could have been even better with some cuts here and there to keep its pace.
The sisters brothers are merciless killers, an odd couple, and have a strong fraternal relationship in their work for ‘the commodore’.
On the trail of a man who is being tracked by a detective working for the commodore the sisters brothers have a few mishaps. Killers, spiders, horse troubles are just a few.
When they find him things work out more differently than I could have predicted.
This movie kept a good sense of humour in its harshness and contrasting warmth and humanity. If westerns are the next big thing after superheroes I hope we get more like this.
Saw this at the Venice film festival.
It shares some common threads with many of Mike Leigh’s other films. Earnest working class folks. Grim conditions. Oppressive politics. And some moments of light relief. This one goes on and on and on though.
The opening scene is pretty brutal with a young soldier caught on a battlefield with cannon fire and cavalry.
Then to Manchester. The soldier’s home and the eventual scene of the massacre at St Peter’s Field. It’s a long time until the movie gets to that. Once it does, and we get to see the drawn out preparation and carnage things are wrapped up in a few moments.
There’s quite a bit of tedious didacticism with folks explaining corn laws, suffrage, and so forth to family around the hearth.
In most every scene it is like the characters are orating to each other rather than conversing. Especially the magistrates. They identify themselves as ‘moral superiors’ of the regular folk as they plot the crushing of perceived insurrection. About the only characters who avoid this orating and shouting at each other are the Home Secretary, prime minister, and prince regent. Though they’re mildly lampooned.
It’s an overly earnest film that could have been more effective with some dialogue, radical editing, and something a bit more than ‘we’ll be sure to report this in our newspapers’ to end the massacre with.
slightly more ridiculous than scary, this is a fun disaster spectacular that combines some deep, deep sea claustrophobia with a land that time forgot underwater. Jason Statham plays it with a pretty straight smirk. All the cast play stereotypical roles familiar from most global movies.
Despite the ridiculousness there are some tense moments such as the smart little girl in the deep water research station being attacked by the meg. And the opening scene rescue.
The eccentric billionaire finder eager to deal with the meg using his private navy is destined for the events we see. And they are karmically comic.
Worth watching if you have tired of films where you need to think. You’ll still need to concentrate as this rarely lets up its pace.
Summer fun movie.
more extravagant in locations and effects than the equaliser. Though the film has a number of events, the basic plot is typical and predictable. Nonetheless, this is an effective movie of its type and has some progression for the character.
Some of the smaller equaliser stories the movie alights on are well done and the elision of extensive plot details for them gives some indication of how busy McCall is with helping people out.
Violent, tense at times, and a slickly-put-together action flick.
Possibly more amusing than the first ant-man movie. Well worth watching after the rather darker avengers: infinity war #1.
Scott is under house arrest after helping captain America in Germany. Hope and Hank Pym are outlaws.
This is a really enjoyable superhero movie with some very amusing big/small antics courtesy of the impossible size-changing suits. There are a few threads that run though it: Hope’s missing mother; bad guys after Pym’s technology; Ghost after the technology and Hope’s mother; FBI after Scott and the Pyms. It’s a long list that somehow manages here where in other marvel movies the complications just end up getting tangled.
Michael Peña is very very good in this.
All in all, this is a great summer fun movie that has only 1 dark note towards the end. Well worth watching even if superheroes are boring you by now.
[2018-09-24 corrected the title to ‘ant-man’ from ‘any-man’ 🙄 fat fingers or auto-correct]
A good mission impossible movie. It has all the regular features you’d expect but with some of the action disks turned up to 11.
At times it feels a bit like a mashup of many different action movie parts. There’s James Bond’s remote-control full size car. There’s a HALO jump. Car/motorbike chases. Toilet fights. … The fight scene on the mountain side is surprisingly dizzying and tense. The London rooftop chase, ending on the south bank is very engaging.
Simon Pegg’s character doesn’t get quite as much of a range as I’d expect. But Tom Cruise is on spectacular form.
The story? Mission goes wrong. Ethan and the team try to recover stuff. Double agents. Old romance. World in danger.
Go see it if you like a formula movie turned way up.
hackneyed beginning, eye-rolling ending, surprisingly compelling in-between.
Weak-stomached bureaucrats bring the gang back to start an inter-cartel war in Mexico to reduce human-trafficking of fundamentalist terrorists across the border.
Things go a bit dodgy and tricky situations ensue.
There’s barely anything in this film that can’t be solved by violence. This rather undermines some of the critical greyness and tension that Sicario had. However, this does have its grey and dark parts.
The best scene has to be where Alejandro (del Toro) asks a Mexican chap for help in the desert. Great to see sign language in a regular movie.
Worth seeing if you don’t have to go too far out of your way.